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Responding to How Seaman Would Craft a Performance of Mark 6:49-52 – GARY...
Over the past month, Leon Seaman has contributed two posts addressing ways in which attention to point-of-view dynamics impacts his performance of Mark. The earlier one–Perspective in Live Performance:...
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Further Comment on Mark 6:49-52 – ROBERT TANNEHILL
I agree with Gary Yamasaki (Responding to How Seaman Would Craft a Performance of Mark 6:49-52) that it is a mistake to present the disciples in Mark 6:49-52 from an external (“objective”) perspective,...
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Blocking Mark 6.47-52 for Live Solo Performance: A Response to Yamasaki and...
In my first two posts, I noted all-too-briefly how Gary Yamasaki’s work on point-of-view planes influenced my own work of Markan performance. I attended to some aspects, but not to others, of certain...
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Another word on Mark 6:47-52. . .with a focus on “Focalization”– STEVE BLACK
I wish to consider Mark 6:47-52, in the light of some of the conversation on this blog concerning it (see posts of Dec 5/2012, Dec 12/2012, Dec 13/2012, Dec 20/2012, Dec 21/2012, Jan 8/2013). I should...
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Sympathizing with a Most Unexpected Character in Mark – STEVE BLACK
It has been argued that point of view can be used as a means of getting the reader to sympathize with a given character (See Oct 25 and Oct 4 posts by Gary Yamasaki). Yamasaki argued in the Oct 25 post...
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S.B.L. Book Review Session of “Perspective Criticism” (part 4): Response to...
Steve Black’s review of Perspective Criticism (May 21/2013 post) reflects a keen grasp of the fact that the essence of point of view relates to the perspective through which readers are led to...
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S.B.L. Book Review Session on “Perspective Criticism” (part 7): Response to...
I am beginning to think that I am not sure that I find Yamasaki’s concept of “point of view character” as reflected in his response (May 29/2013 post) to be useful. I prefer simply to think of “point...
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